59. heart attack. director of movies that mattered so much even if maybe they kinda didn't matter. teens go to the movies just to get out of the damn house sometimes. we didn't count on seeing ourselves all blown up and semi-real and dancing in a library making peace across party lines. princess. jock. brain. basketcase. criminal. breakfast club. back then we were all in it together but didn't even know it. i never had saturday detention for real. i was so goodie jew boy i would have been mortified. but i did get regular detention a few times. and every time was when i was being my real self. amplified. uncensored.
when i used to have cable one of my favorite activities was watching the basic cable partiallly censored version of breakfast club. it is fucking hilarious to see lips moving to the wrong words. what they forget to censor are the ideas. maybe i watched sixteen candes and pretty in pink and breakfast club (and yeah ferris and weird science) needing so badly to see myself on screen just like fags watched bette davis movies and were her.
but damn those were good movies. still digging the weird fake internet in pretty in pink. andrew mccarthy sending images to her via library computers. john hughes knew this is how we would communicate. not because of technology. but because we have to. we are connected.
john hughes understood that pop culture is a language.
and no, he wasn't about to make another breakfast club. and yes, there will probably be a horrible remake of it, just like there is a fame remake coming out that i implore everyone to boycott. please just netflix the original and season 1 of the series. and take a dance class. i like it '80s which doesn't mean so smooth and refined all the time. it's a certain film stock. a certain graininess. knowledge that the present mattered. self-consciousness. damn, these are just movies but mollie ringwald was in annie, okay? and annie potts was in pretty in pink. and anthony michael hall was michael cera before michael cera. and the music was important. omd. psychedelic furs.
i am thankful there were no spin-off tv shows. this week on sixteen candles. the incredible breakfast club. pretty in pink pd blue. they knew it would never work. these films were moments. and i was there. and part of me still is. i was the brain as far as my parents and teachers were concerned. the basketcase when nobody was looking. the criminal when i swiped playgirls from the mall. the jock when i was riding my bike around the winding suburban streets with my too heavy helmet on avoiding suzuki samurais. the princess when thinking about my future and how i wanted to escape to just the right city and school and life.
john hughes was important because we were. and we were lucky he noticed us. all of us.
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